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The Johns Hopkins Guide to Literary Theory and Criticism has become the indispensable resource for scholars and students of literary theory and discourse. The long-awaited second edition includes 48 new entries and subentries and has been revised throughout, taking account of ten years of rapidly changing scholarship.
While concentrating on the explosion of contemporary critical and theoretical works, the Guide presents a comprehensive historical survey of ideas and individuals ranging from Plato and Aristotle to twentieth-century scholars. It includes more than 240 alphabetically arranged entries on critics and theorists, critical schools and movements, and the critical and theoretical innovations of specific countries and historical periods. It also examines developments in other disciplines which have shaped literary theory and criticism. An international, encyclopedic guide to the field's most important figures, schools, and movements, the new edition reflects the state of literary theory and criticism.
- Sales Rank: #1203265 in Books
- Published on: 2004-11-03
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 2.30" w x 8.00" l, 4.68 pounds
- Binding: Hardcover
- 1008 pages
From Library Journal
This self-defensively "postmodern" guide provides 226 essay-length overviews of critics, schools, movements, and national and ethnic groups important to the study of literary theory and criticism. The descriptive entries, which include a primary and secondary bibliography and an abundance of cross references that facilitate exploration, are authoritative and well written. The entries in Hugh Holman's Handbook to Literature (Macmillan, 1992. 6th ed.) are both much shorter and more accessible, but individual critics are not included. Magill's Critical Survey of Poetry (Salem Pr., 1992. rev. ed.), on the other hand, gives critical analyses of poets but deals only briefly with terms and concepts. By covering terms and critics, this guide does the work of both sources, filling a niche for scholars and graduate students in literature and related fields.
- Peter Dollard, Alma Coll. Lib., Mich.
Copyright 1994 Reed Business Information, Inc.
From Booklist
With coverage ranging from Plato and Aristotle to Richard Rorty and Edward Said, this work is an overview of major landmarks of criticism from classical antiquity to the present day. Included, in addition to literary critics, are theorists whose affiliation or discipline is not primarily literary studies: philosophers, political theorists, anthropologists, psychologists, and psychiatrists. For example, an essay on Hegel appears between those on Hazlitt and Heidegger. The editors state that they shortened the entries on twentieth-century critics in an effort to entice the reader into making selective sorties into earlier entries, earlier in the historical sense. In addition to those figures who have affected literary theory and criticism, the work includes important groups, schools, and movements; major national or ethnic schools of criticism; and theoretical innovations of specific countries and historical periods. The 226 entries are arranged alphabetically so that such entries as Caribbean Theory and Criticism, Chicago Critics, Chinese Theory and Criticism, and Chomsky, Noam appear in that order. Entries on Arabic, African, biblical, feminist, gay, Indian, psychoanalytic, and Russian criticism are joined by essays on film theory, cultural studies, hermeneutics, postmodernism, and stylistics.
Each contribution is signed. The authors are literary scholars from leading universities throughout the U.S. and Canada with a few from institutions in other countries. Each entry is followed by at least one bibliography; most have two, a primary and a secondary one. Ample cross-references are noted within entries in small-capital letters. Related references appear at the end of each entry. Quotations are signaled by parenthetical page numbers that refer to works in the bibliographies. The appended material includes a list of contributors with academic affiliations, an index of names, and an index of topics.
Histories and anthologies of literary theory and criticism abound, but there are few encyclopedic works that treat critics, schools, and movements in a reference format. This more scholarly work complements Gale's Contemporary Literary Critics, which gives biobibliographic information about modern critics but treats no schools or movements. Another recent work, the Encyclopedia of Contemporary Literary Theory: Approaches, Scholars, Terms (Univ. of Toronto, 1993), also emphasizes contemporary themes. The Johns Hopkins Guide is an excellent overview with a wider time frame. Academic libraries with strong literature programs, especially graduate programs, will want to own it.
Review
Nothing quite matches this in scope and depth. Taken as a whole, the guide provides a synoptic overview of literary theory from a twentieth-century Western point of view. The articles are succinct and pointed.
(Jeffrey R. Luttrell American Reference Books Annual, 1995)A massive, double-columned Yellow Pages of lit crit. If it falls between Abrams and Zola, historically between Plato and postmodernism, intellectually between Aristotle and feminism, or geographically between Japanese Theory and Criticism and Caribbean, you can probably find it here.
(Ray Carney Partisan Review)A superlative work of reference that can be read for information, and not just another overview. It provides a comprehensive historical survey of ideas and scholars from Plato to modern times, examining developments in other disciplines which have shaped literary theory and criticism.
(Shelley Walla Literary Review)Two centuries ago this jumbo-size book would have come into the world not modestly as a 'guide' but as a fully fledged encyclopedia. It divides a whole field of knowledge into its constituent parts and presents them in alphabetical order with great lucidity... This is a text whose coverage and the general excellence of its entries really will suit the everyday business of study and research.
(Simon During The Australian)This comprehensive and easily understood reference book will serve as an indispensable guide for helping students or scholars assess and discuss an overwhelming body of material, especially such 'buzz' topics as multiculturalism.
(Cristian Salazar Bloomsbury Review)Books such as Holman's Handbook to Literature define these concepts briefly but are no substitute for the Guide's analytical essays and their explanations of the development and significance of key critical theories and their methods. Since the Guide is more comprehensive and analytical than Wendell Harris's Dictionary of Concepts in Literary Criticism and Theory, no academic library reference collection can do without it.
(Wilson Library Bulletin)An uncommonly absorbing reference book that attempts to map changes wrought by an anxious new worldliness and self-consciousness among scholars, which the term 'theory' connotes... For writers and critics, [this] is a must, but every committed reader will want to own it.
(San Francisco Chronicle)The new Johns Hopkins Guide to Literary Theory and Criticism is very exciting. I especially like the match up of authors with subjects. The coverage is ample and the array of topics superb. This new Guide will add to the Press's lustre as a publisher of reference books. Beyond that, it promises to be an invaluable source of new ideas as well as information―which any reference work worth its salt should be.
(Hayden White, University of California, Santa Cruz)In the maze of writers and positions, past and present, that surround us in the field that we refer to as 'theory' nowadays, this volume should indeed be an invaluable guide.
(Murray Krieger, University of California, Irvine)First published in 1994, this title has established itself as one of the main references in the field, through well-written, in-depth articles on critics, schools, periods, and critical innovations of specific countries and ethnic traditions.
(Choice)A satisfying offering in the discipline of literary theory; The Johns Hopkins Guide to Literary Theory and Criticism endeabors to cover not only individual critics and philosophers from antiquity to the present day, but also the full range of the many diverse schools of critical thought.
(Kirkus Reviews)This edition of the Guide is a terrific resource... I know I'll be consulting it frequently until the third edition arrives.
(James Phelan University of Toronto Quarterly)In all, the Guide's substantial essays provide an appropriately updated sense of the most important issues and figures in contemporary theoretical discussions of literature and interpretation.
(Mark M. Freed Journal of Midwest Modern Language Assoc.)The new version of Guide will provide a new generation of scholars and students with an exhaustive reference, but it will also serve as a valuable and critical measurement of the discipline.
(Rocky Mountain Review)Certainly it should (and I hope ― will) be adopted by research librarians affiliated with any credible institution of higher learning.
(Matthew Biberman English Studies in Canada)Most helpful customer reviews
0 of 0 people found the following review helpful.
How to take the fear out of theory!
By Stuart B. Rich
A must have for the first-year grad student in any literary field! The introductory essay by Richard Macksey has a supportive subtext for such a student.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
A must-have for research. Much improved edition!
2 of 4 people found the following review helpful.
Not for the Beginning Student
By Armour
I own the first edition of this book, and wouldn't be without it as I pursue my deepening interest in theory and criticism. It covers the very broad range of topics and disciplines that comprise and contribute to this field in short but in-depth essays rather than brief "encyclopedic" entries. I will note that these essays are generally aimed at the specialist who is already acquainted with basic facts and issues pertaining to a topic, and the entries are therefore often beyond the range of what the beginning student will be looking for in his/her novice explorations (and for which other references should be consulted).
As an example of how substantial and "chewy" these essays can be, I'll quote from the entry on the Frankfurt School (written for the first edition by Vincent P. Pecora, who begins a discussion of "five motifs running through critical theory" in this way):
"(The first motif) was the reinterpretation of Marxian social science in light of the growing discrepancies between dialectical materialism as theory and as practice. This meant the rejection of any simple totalization of history, of more mechanical relations of reflection between cultural superstructure and economic base, and of the proletariat as the necessary subject-object of historical progress (see especially the early Horkheimer and Pollock here). While class struggle was never denied, it lost its place of centrality amid the larger pressures of monopolization and rationalization. Such a perspective also entailed arguments, such as those between Pollock and Neumann in the 1940s, over the specific relation of capitalism to Nazism..."
This excerpt doesn't reflect either a general writing style or opacity of content for the Guide as a whole, but it's a fair sample of what the editorial approach elicits: The aim is not only (and sometimes not at all) to provide a basic or "entry-to-topic" level of information, but to present short, expert essays by specialists on those topics--and in many cases, all but the most well-informed reader may strain to follow discussions that presume a sophisticated level of prior acquaintance and knowledge.
I'll also note that non-expert users of this reference should almost always find valuable background, context, and information on significant issues and controversies related to the individual critics, movements, epochs, and topics discussed. But such users will probably also want to have access to more basic guides and introductions to terms and topics as they explore the Hopkins essays.
As one other reviewer notes, this is a reference that will reward its owner for many years, and that thought is borne out by the fact that 10 years elapsed between the first and second editions--an indication of the Guide's scholarly approach and intended shelf life among its academic users.
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